Understanding Channels in Adobe Photoshop

Introduction

In this blog post, you will learn how to use channels to make a selection in Adobe Photoshop weather you might want to replace the skies or you want to select something intricate. This is kind of selection method that you might use when all the selection method doesn’t work like color range or select and mask. And that’s when this method becomes so useful.


Understanding Channels

Image Credit: Freepik

Now, in this image suppose we want to replace the skies but the trees are making it very hard to get a perfectly clean selection. So in this type of image ‘the channel selection’ method becomes very useful.

Every image that you see on screen is composed of three colors of red, green and blue. So, let’s move on to channels by clicking on to channels tab adjacent to the layers tab. You can also access this by clicking on the ‘window and then selecting ‘channels’. When the channel’s tab opens the first option you will see is RGB channel and this is the channels which combine all the three colors.

RGB Channel

So, you will see all the colors visible in your image. Underneath this channel, there is the red, blue and green channel and all these combine to give you RGB. But, you might wonder why these images are black and white? And the main reason for this is that these are only a representation of those channels.

Note:  If you have trouble watching these layers in black and white then you can change it by going to ‘edit’ menu and then selecting ‘preferences’. A fly out menu will open up from which you can select ‘interface’ option.

As you click the interface a dialogue box will open up and at the bottom of the channel you will find a checkbox of ‘show channels in colors’. Make sure you check that option and click ‘ok’ to see all your channel layers in their respective colors.

Red Channel

Now, if I move on to the red channel, the areas that are more white are the areas where red is most applied and the areas that are black are the areas where red is least applied. So, when it is completely black, there is no redness there.

Blue Channel

Now, let’s move on to the blue one. Since our sky is blue therefore you can see the sky is quite bright on this channel. And the ground is green, there’s no blue in it, therefore, its dark. So, the more there is brightness in the image, the more color you have on that particular channel.

Green Channel

In the green channel, the land can be so bright, may be brighter than the other channels because it has more greenish hue in it.

Now, let me tell you how this process will help. At first, you need to find a channel in which your sky is very bright and the foreground is very dark to make this process work, and in this case, it’s ‘blue’ channel. Therefore, this channel will help you as a mask to select the skies.

But there are still a couple of adjustments we need to do as the ground is not completely black and the sky is not completely white. So, to do that, first, make a copy of this mask. Press ‘Ctrl’ on your keyboard and click on that layer. This will make a selection based upon the luminosity as brighter areas will be selected and darker will remain unselected.

Make a copy of this channel by clicking on it and it will be called as ‘alpha one’, then deselect it by hitting ‘Ctrl+ D’ on your keyboard. Now, our job is to make the sky completely white and the ground completely black. So, to make this happen you need to go to image panel in the above ‘menu bar’, select ‘adjustments’ and then ‘levels’ from the flyout menu. As the dialogue box opens up, start adjusting the slider until the expected result is acquired.

After you’ve done that, you can compare the ‘before’ and ‘after’ of the image by checking on the ‘preview’ checkbox on the right side of the slider. And after you achieve what you want, click ‘ok’ and the dialogue box will vanish.

But even though all these, you can still see some gray areas of the image that needs to darken and some areas that’s need to brighten. So, to do this, select a brush and start painting over the image.

But before this, change the brush mode to ‘overlay’ and go back to the layers tab and select the image. Then come back to the channels tab and select the ‘alpha one’ layer. Start painting until all the areas turn into black or white. Now, even if you spill white paint over the black region it will not affect the image as you’ve selected the ‘overlay’ mode which makes the bright part brighter and dark part darker. So, if you have white selected as the foreground color, anything black will remain unchanged and bright part will get highlighted more and vice versa.

So, after you made the image completely black and white, press ‘Ctrl’ while clicking on the ‘alpha one’ layer and come back to the channel tab making sure your target image is selected.

After that click on the layer mask option. Now, you might find that the opposite thing happened as the foreground got masked and the sky is still visible. So, to get the inverted result, select the mask and hit ‘Ctrl + I’ on your keyboard. Now, you will see the sky is perfectly masked and is gone, so we are basically left with a perfectly selected foreground.

For example, I took an image of a landscape and removed its background by selecting it with channels and making a mask. Then I took another image of the sky and placed it in the background while making a few adjustments.

Original Image, Image Credit: Freepik

Sky Background, Image Credit: Freepik

And in this way, you can also add any of your backgrounds and make your composition more accurate.

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